Leonor Fini (1907-1996), Carmilla, 1983
Technique: lithograph on vellum paper
Signature: in pencil, p.d.: Leonor Fini
Numbering: 135/297
Dimensions: in st p-p: 34 x 28 cm, 50 x 40 cm (with passepartout)
Condition: very good
Portfolio: Carmilla - illustration for the novel by Sheridan Le Fanu, published by Alsparck, New York, 1983
An expressive female portrait inspired by the character of Carmilla - a lesbian vampire and one of the most intriguing heroines of Gothic literature of the 19th century. Leonor Fini conveys the dark eroticism and psychological complexity of the character with great subtlety and emotional depth.
Leonor Fini (1907-1996) - Argentine surrealist painter of Italian origin. Born in Buenos Aires, Argentina, she grew up in Trieste, Italy. At the age of 17 she moved to Milan and then to Paris. There she met: Paul Éluard, Max Ernst, Georges Bataille, Henri Cartier-Bresson, Pablo Picasso, André Pieyre de Mandiargues and Salvador Dalí and his wife Gala. She traveled around Europe in Cartier-Bresson's car, and during one such trip he took the famous photo of Fini naked in a swimming pool. The photo sold in 2007 for $305,000 (a record price for his work). She painted portraits of Jean Genet, Anna Magnani, Jacques Audiberti, Alida Valli, Jean Schlumberger (jewelry designer) and Suzanne Flon, as well as many other famous Paris celebrities.
Despite her close ties to the Surrealist circle, she did not consider herself one of them. However, her works were often exhibited together with those of the Surrealists. Her paintings are very personal and symbolic, sometimes somewhat theatrical. You can see in them a fascination with the female body and sexuality. While working for Elsa Schiaparelli, she designed the flacon of Shocking perfume, which became a standard product of the Schiaparelli company. She also designed costumes and decorations for theater, ballet and opera. She designed the costumes for Renato Castellani's Romeo and Juliet (1954) and John Huston's Walk with Love and Death (1968). She was married once, briefly, to Fedrico Veneziani. From 1941 she was linked to Italian aristocrat and former consul in Monaco Stanislao Lepri, who, under her influence, took up Surrealist painting. From 1952, Fini became involved with Polish writer and publicist Konstanty Jelenski. From that year until the deaths of Lepri (1980) and Jelenski (1987), the three lived together in a house in Paris, leading an intense social life and revolving among the bohemian artistic community. All three were bisexual and also led a fairly casual sex life, entering into external relationships
