The painting by Edward Dwurnik entitled. "Orange Tulips" was realized in the technique of acrylic on canvas ground. The work is cataloged. The work is accompanied by the author's certificate of authenticity and a certificate of authenticity of ART&CULTURE Art Gallery.
The work is framed in the author's frame.
- Artist: Edward Dwurnik
- Title: Orange Tulips
- Size: 40 x 30 cm
- Size with frame: 50 x 40 cm
- Year of creation: 2017
- Substrate: canvas subpainting
- Technique: acrylic
- Catalog number: XXIII-1254-6983
The colors of the images of the presented work may be subject to deviations due to differences in the calibration of the target devices (computer monitor, phone display, ect).
*target frame may differ from the presented one.
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Dear Customers,
Please note that the presented image is the work of human hands and may have greater or lesser imperfections, which can not be the basis for a complaint in the context of non-conformity with the description.
Damaged sides of the painting resting on the stretcher bar, unpainted sides, staples stretching the canvas, traces of paint, ect.), cannot be the basis for complaint as they are not the obverse or reverse of the painting.
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Painting by Edward Dwurnik entitled. "Orange Tulips" was realized in the technique of acrylic on a canvas ground. The work is cataloged. The work is accompanied by the author's certificate of authenticity and a certificate of authenticity of ART&CULTURE Art Gallery.
The work is framed in the author's frame.
- Artist: Edward Dwurnik
- Title: Orange Tulips
- Size: 40 x 30 cm
- Size with frame: 50 x 40 cm
- Year of creation: 2017
- Substrate: canvas subpainting
- Technique: acrylic
- Catalog number: XXIII-1254-6983
The colors of the images of the presented work may be subject to deviations due to differences in the calibration of the target devices (computer monitor, phone display, ect).
*target frame may differ from the presented one.
---
Dear Customers,
Please note that the presented image is the work of human hands and may have greater or lesser imperfections, which can not be the basis for a complaint in the context of non-conformity with the description.
Damaged sides of the painting resting on the stretcher bar, unpainted sides, staples stretching the canvas, traces of paint, ect.), cannot be the basis for complaint as they are not the obverse or reverse of the painting.
---
Edward Dwurnik studied painting and printmaking at the Academy of Fine Arts in Warsaw from 1963 to 1970. As he believed, during the first years of his studies at the Academy of Fine Arts "he had no vision for his art." After coming into contact with the works of Bernard Buffet, he saw new possibilities for painting, but it was only the experience of the Nikifor exhibition in 1965 that helped him find a form to support the realization of his own ideas. From this event his passion for creation began. It was then that he created paintings included in painting series such as Hitchhiking, Warsaw, Portrait. In 1970-1971 he painted The Road (Ten Stations of the Secular Crucifixion). Dwurnik believes that he truly found "his subject" in March 1968. The artistic solution, in addressing this problem, was to build multi-element compositions, to complicate, to create relationships between the subjects of the painting. He painted more than 5,000 paintings. Dwurnik regularly presented his paintings depicting the capitals of various European Union countries during the Celebrations of the Presidency of the European Union held at the Chojnata Palace in Wola Chojnata.
He was awarded among others: "Solidarity" Cultural Award (1983), Nouvelle Biennale de Paris (1985), Seoul Art Olympiad Award (1988) and Contemporary Art Foundation Award (1992).
He is buried in the Alley of the Distinguished at the Powązki Military Cemetery in Warsaw. studied painting and printmaking at the Academy of Fine Arts in Warsaw from 1963 to 1970. As he believed, during the first years of his studies at the Academy of Fine Arts, he "had no vision for his art." After coming into contact with the works of Bernard Buffet, he saw new possibilities for painting, but it was only the experience of the Nikifor exhibition in 1965 that helped him find a form to support the realization of his own ideas. From this event his passion for creation began. It was then that he created paintings included in painting series such as Hitchhiking, Warsaw, Portrait. In 1970-1971 he painted The Road (Ten Stations of the Secular Crucifixion). Dwurnik believes that he truly found "his subject" in March 1968. The artistic solution, in dealing with this problem, was to build multi-element compositions, to complicate, to create relationships between the subjects of the painting. He painted more than 5,000 paintings. Dwurnik regularly presented his paintings depicting the capitals of various European Union countries during the Celebrations of the Presidency of the European Union held at the Chojnata Palace in Wola Chojnata.
He was awarded among others: "Solidarity" Cultural Award (1983), Nouvelle Biennale de Paris (1985), Seoul Art Olympiad Award (1988) and Contemporary Art Foundation Award (1992).
He is buried in the Alley of the Distinguished at the Powązki Military Cemetery in Warsaw.
